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The Absolute And Reality Are But An Abstraction
A grain of sand you, trample upon has a deeper significance t...

Real Self
If there be no individual soul either in mind or body, where ...

The Resemblance Of The Zen Monk To The Samurai
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The Parable Of The Robber Kih
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Origin Of Zen In India
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Buddha Is Unnamable
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The Sermon Of The Inanimate
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Life And Change
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Buddha-nature Is The Common Source Of Morals
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Idealism Is A Potent Medicine For Self-created Mental Disease
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Where Then Does The Error Lie?
Where, then, does the error lie in the four possible proposit...

The Usual Explanation Of The Canon
An eminent Chinese Buddhist scholar, well known as Ten Dai Da...

Enlightenment Is Beyond Description And Analysis
In the foregoing chapters we have had several occasions to re...

The Social State Of Japan When Zen Was Established By Ei-sai And Do-gen
Now we have to observe the condition of the country when Zen ...

Life And Change
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Hinayanism And Its Doctrine
The doctrine of Transience was the first entrance gate of Hin...

The Second And The Third Patriarchs
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The Errors Of Philosophical Pessimists And Religious Optimists
Philosophical pessimists[FN#214] maintain that there are on e...

The Next Step In The Mental Training
In the next place we have to strive to be the master of our b...




The Ten Pictures Of The Cowherd








[FN#275] The pictures were drawn by Kwoh Ngan (Kaku-an), a Chinese
Zenist. For the details, see Zen-gaku-ho-ten.


Besides these Five Ranks of Merit, Zenists make use of the Ten
Pictures of the Cowherd, in order to show the different stages of
mental training through which the student of Zen has to go. Some
poems were written by Chinese and Japanese teachers on each of these
pictures by way of explanation, but they are too ambiguous to be
translated into English, and we rest content with the translation of
a single Japanese poem on each of the ten pictures, which are as
follows:

The first picture, called 'the Searching of the Cow,' represents the
cowherd wandering in the wilderness with a vague hope of finding his
lost cow that is running wild out of his sight. The reader will
notice that the cow is likened to the mind of the student and the
cowherd to the student himself.

I do not see my cow,
But trees and grass,
And hear the empty cries
Of cicadas.

The second picture, called 'the Finding of the Cow's Tracks,'
represents the cowherd tracing the cow with the sure hope of
restoring her, having found her tracks on the ground.

The grove is deep, and so
Is my desire.
How glad I am, O lo!
I see her tracks.

The third picture, called 'the Finding out of the Cow,' represents
the cowherd slowly approaching the cow from a distance.

Her loud and wild mooing
Has led me here;
I see her form afar,
Like a dark shadow.

The fourth 'picture, called 'the Catching of the Cow,' represents the
cowherd catching hold of the cow, who struggles to break loose from
him.

Alas! it's hard to keep
The cow I caught.
She tries to run and leap
And snap the cord.

The fifth picture, called 'the Taming of the Cow,' represents the
cowherd pacifying the cow, giving her grass and water.

I'm glad the cow so wild
Is tamed and mild.
She follows me, as if
She were my shadow.

The sixth picture, called 'the Going Home Riding on the Cow,'
represents the cowherd playing on a flute, riding on the cow.

Slowly the clouds return
To their own hill,
Floating along the skies
So calm and still.

The seventh picture, called 'the Forgetting of the Cow and the
Remembering of the Man,' represents the cowherd looking at the
beautiful scenery surrounding his cottage.

The cow goes out by day
And comes by night.
I care for her in no way,
But all is right.

The eighth picture, called 'the Forgetting of the Cow and of the
Man,' represents a large empty circle.

There's no cowherd nor cow
Within the pen;
No moon of truth nor clouds
Of doubt in men.

The ninth picture, called 'the Returning to the Root and Source,'
represents a beautiful landscape full of lovely trees in full blossom.

There is no dyer of hills,
Yet they are green;
So flowers smile, and titter rills
At their own wills.

The tenth picture, called 'the Going into the City with Open Hands,'
represents a smiling monk, gourd in hand, talking with a man who
looks like a pedlar.

The cares for body make
That body pine;
Let go of cares and thoughts,
O child of mine!

These Ten Pictures of the Cowherd correspond in meaning to the Five
Ranks of Merit above stated, even if there is a slight difference, as
is shown in the following table:


THE FIVE RANKS.---THE TEN PICTURES.

1. The Rank of Turning---1. The Searching of the Cow.
2. The Finding of the Cow's Tracks.

2. The Rank of Service---3. The Finding of the Cow.
4. The Catching of the Cow.

3. The Rank of Merit---5. The Taming of the Cow.
6. The Going Home, Riding on the Cow.

4. The Rank of Co-operative Merit---9. The Returning to the Root and
Source.
10. The Going into the City with
Open Hands.

5. The Rank of Merit-over-Merit---7. The Forgetting of the Cow and
the Remembering of the Man.
8. The Forgetting of the Cow and of
the Man.






Next: Zen And Nirvana

Previous: The Five Ranks Of Merit



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